The Romance Reviews
Showing posts with label Ancient world historical romance. Show all posts
Showing posts with label Ancient world historical romance. Show all posts

Wednesday, 27 February 2013

Guest blog - Elisabeth Storrs: 'The Wedding Shroud'

The Wedding Shroud:  
A Tale of Ancient Rome


‘All the drama and sensuality expected of an historical romance, plus a sensitivity to the realities of life in a very different time and world…’ Ursula Le Guin










Buy at Amazon

In 406 BC, to seal a tenuous truce, the young Roman Caecilia is wedded to Vel Mastarna, an Etruscan nobleman from the city of Veii. The fledgling Republic lies only twelve miles across the Tiber from its neighbour, but the cities are from opposing worlds so different are their customs and beliefs. Leaving behind a righteous Rome, Caecilia is determined to remain true to Roman virtues while living among the sinful Etruscans. Instead she finds herself tempted by a hedonistic culture which offers pleasure and independence to women as well as an ancient religion that gives her a chance to delay her destiny. Yet Mastarna and his people also hold dark secrets and, as war looms, Caecilia discovers that Fate is not so easy to control and that she must finally choose where her allegiance lies.

Exploring themes of sexuality, destiny versus self-determination and tolerance versus prejudice, The Wedding Shroud is historical fiction at its best which vividly brings Ancient Rome and Etruria to life while accenting the lives of women in ancient history. It is the first book in a trilogy set in Ancient Rome and Etruria and was judged Runner-Up in the 2012 Sharp Writ Award for general fiction. The sequel, The Golden Dice, will be released in 2013.


Prologue:

Her whole world was orange.
Shifting her head to one side, feeling the weight of the veil, hearing it rustle, her eyes strained to focus through the fine weave.
Orange. The vegetable smell of the dye had been faint when she first donned the wedding veil, but now its scent filled her nostrils and mouth, the cloth pressing against her face as she walked to where the guests were waiting.
The atrium was crowded. So many people. Shaking, legs unsteady, Caecilia found she needed to lean against her aunt Aurelia. Through the haze of the veil she could barely make out the faces of the ten official witnesses or that of the most honoured guest, the Chief Pontiff of Rome.
And she could not see Drusus. Perhaps he could not bear to witness her surrender.
‘Stand straight, you’re too heavy,’ hissed her aunt, pinching the girl’s arm.
Biting her lip, Caecilia was led forward. The groom stood before the wedding altar, ready to make the nuptial offering. Her uncle Aemilius smiled broadly beside him.
Aunt Aurelia, acting as presiding matron, deposited her charge with a flourish then fussed with the bride’s tunic. She was revelling in the attention and smiled vacuously at her guests, but the girl was aware that, for so crowded a room, silence dominated.
Drawing back her veil, Caecilia gazed upon the stranger who was to become her husband. To her surprise, his black hair was close-cropped and he was beardless. She was used to the long tresses of the men of Rome—and their odour. This man smelled differently; the scent of bathwater mixed with sandalwood clung to his body.
Head bowed, she tried in vain to blot out his existence no more than a hand’s breadth from her side, but she need not have bothered. He made no attempt to study either her face or form.
‘The auspices were taken at sunrise,’ declared Aemilius. ‘The gods confirm the marriage will be blessed.’
Bride and groom sat upon chairs covered with sheepskin and waited while the pontiff offered spelt cake to Jupiter.
There was a pause as they stood and circled the altar, then the priest signalled Aurelia to join the couple’s hands.
Caecilia wished she could stop shaking. She had to be brave. She had to be dignified. But her body would not obey her. She was still quaking when Aurelia seized her right hand roughly and thrust it into the groom’s.
The warmth and strength of his grip surprised her. Her palm was clammy and it occurred to her that her hand would slip from his grasp. Slowly, she turned to face him. He was old; lines of age ploughed his forehead and creased his eyes. He must be nearly two score years. What was he like, this man? Her husband?
Aware that she should be making her vows to him in silence, she instead prayed fervently that the gods would take pity and not make her suffer too long or too hard in his keeping.
His hand still encompassed hers. Before releasing her fingers, he squeezed them slightly, the pressure barely perceptible. She held her breath momentarily, amazed that the only mark of comfort she had received all day had been bestowed upon her by a foe.
She scanned his face. His eyes were dark and almond-shaped, like the hard black olives from her aunt’s pantry. His skin was dark, too, sun dark. A jagged scar ran down one side of his nose to his mouth.
He was far from handsome.
His toga and tunic were of a rich dark blue making all stare at him for a difference other than his race. Yet his shoulders were held in a martial pose, no less a man for his gaudiness, it seemed, than the Roman patricians around him in their simple purple-striped robes. And the bridal wreath upon his head could have been a circlet of laurel leaves, a decoration for bravery not nuptials.
A golden bulla hung around his neck, astounding her. For a man did not wear such amulets once he’d stepped over the threshold to manhood. Only children wore such charms in Rome. He wore many rings, too, but one in particular was striking. Heavy gold set with onyx. No Roman would garland himself with so much jewellery.
There was one other thing that was intriguing, making her wonder if his people found it hard to farewell childhood. His arms and his legs seemed hairless, as if they had been shaven completely.
Perfumed, short-cropped hair, no beard. Caecilia truly beheld a savage.
Once again she steeled herself, repeating silently: ‘I am Aemilia Caeciliana. Today I am Rome. I must endure.’

Elisabeth Storrs

Elisabeth Storrs graduated from the University of Sydney in Arts Law majoring having studied Classics and has long held an interest in the history, myths and legends of the ancient world. Over the years she has worked as a solicitor, corporate lawyer, governance consultant and business writer. She lives with her husband and two sons in Sydney.






Wednesday, 14 September 2011

ReviewFest and Maggie Toussaint

Thanks, Lindsay, for creatingReviewFest to share our reviews. Oftentimes on chats, forums, blogs, and loops, our reviews get mentioned once and then we file them away. I'm delighted when I get good reviews because it's such a pleasure to connect with a reader/reviewer who really gets what you are all about.

About me: I write romance and romantic mystery. My writing journey started in the romance world, but I kept adding more and more suspense elements. I transitioned to writing mysteries, but romance is ingrained in my muse, so all of my books are blends of romance and mystery.

Since this is Lindsay's "pink" romance blog, I'll sharea few of my fab romance reviews.

House of Lies launched me into the world of published authors. Hannah visits the house her estranged father bequeathed to her, and finds his business partner, ex-CIA agent Jake. Layer by layer, Hannah uncovers the secrets of her father's covert life and activates a deadly killer.

"House of Lies has it all! Great job!" - Fallen Angels Review

"I recommend this book to readers who love a novel that pulls at the heartstrings with a side order of suspenseful action." - The Romance Studio

House of Lies, Best Romantic Suspense, National Readers' Choice Awards
 ISBN 9781601540317 buy it:  www.amazon.com  www.thewildrosepress.com  Kindle

No Second Chance is my horse rescue romance. I donate the profits to a horse rescue charity in Maryland, Days End Farm Horse Rescue. In the book, Hope and Devlin battle their attraction as they dodge a killer's bullets and try to save the horse farm.


 "A fabulous contemporary romance with an intriguing social issue involving the rescue of horses" - Harriet Klausner

"A tale that will please most contemporary romance readers" Romance Reviews Today

"If you have a quiet evening to curl up with a good book and you enjoy suspense, horses, Cinderella stories or all three — this book will satisfy" - Long and Short Reviews

"A must Read" - CK2S Kwips and Kritiques
buy it: Amazon   The Wild Rose Press   Kindle (all romances also available for Nook)


Seeing Red was originally released through an ebook publisher, Freya's Bower, who did a great job of editing this story. When the rights reverted to me earlier this year, I added a bit here and there and then brought it back out in digital and trade paperback format. Emma and Quentin work to make her crumbling homestead into a Bed & Breakfast, but someone doesn't want them to succeed. Is the threat from her sisters, his family, or her work colleagues?
"An excellent read" - Night Owl Romance

"Witty, fun, and fast-paced. One of the better romances I’ve read in months" Cocktail Reviews

"A great story that you won't want to put down and I would recommend it to anyone wanting a sweet, non-graphic romance"-  Long and Short Reviews

Buy it at www.smashwords.com and Kindle also at B&N and Amazon and Sony


Muddy Waters is the first book I set on the Georgia coast. It's full of two-hundred year old live oaks and Spanish moss and secluded kayaking canals. So many readers fell in love with the town of Mossy Bog that they've been clamoring for a sequel. God willing and the creek don't rise, I'll get that into the rotation!  In Muddy Waters, Roxie and Sloan battle their attraction as they search for his lost inheritance. Will they find it before a deadly fortune hunter puts them out of commission?

"Great book, wonderful mystery and a red hot love story underlying it." - The Reading Reviewer
   
“A pleasant read for a nice fall afternoon. With its home realty and repair subplot, the author obviously knows her stuff” – Romantic Times

"Toussaint wrote the characters with a believability that captures the hearts of readers” – SingleTitles.com

Buy Muddy Waters: Kindle   Wild Rose Press and Amazon and many other online venues

My Cleopatra Jones mystery series has two published books which have had great reviews by Kirkus, Publishers Weekly, and more. I hope you'll visit my website http://www.maggietoussaint.com/  to read more about those mystery titles, to read free excerpts from all my work. I have a free read up at my blog, http://mudpiesandmagnolias.blogspot.com/ in which Cleo and her boyfriend vacation at the beach.

Thanks again, Lindsay for REVIEWFEST which gave me a chance to dust off these reviews and tell about the books I've written. You want mystery and romance? I'm your gal!

Maggie Toussaint

Friday, 3 December 2010

An early Christmas present? 'Flavia's Secret' free at Bookstrand

Bookstrand have Flavia's Secret on offer as a free ebook from today until Valentine's Day. If you haven't tried one of my books yet, here's a chance!

For details of the book and the free download, go to:
http://www.bookstrand.com/flavias-secret .

Update (December 7): Many of my other Bookstrand titles are now available for a mere $2.99.

Tuesday, 18 August 2009

Deadlier than the male?

There is a good deal of wish-fulfilment in my heroines. Firstly their characters tend to be far braver, more patient, generous and caring than I am. Secondly, in their roles they often 'act out' roles I would love to try myself. My heroines are opera singers, wildlife photographers, healers, scribes, princesses, expert seamstresses, bull-leapers, and metal-smiths. Life may be tough but they are resilient and intelligent. They may doubt and self-question, but I try to make them full of life. Vitality is attractive where rampant self-pity can quickly become tiresome in a character in a story.

I throw challenges in the way of my womenfolk. In my historical romances they may struggle with their position in society - Flavia, in Flavia's Secret is a slave, Sarmatia, in Bronze Lightning is a bull-leaper who is growing old for the dangerous ritual, Sunniva in A Knight's Captive is bullied by her father and brothers and, as a woman in 1066, she has limited options.

That is something I always try to bring out in my historicals: women, even princesses, were more tied by biology than modern women are. In a pre-pill or effective contraception era, then a woman could become pregnant each time she made love. If she earns her living as a tumbler, then if she is pregnant she might starve. Society in many ages has been anti-women: the medieval age saw women as prone to evil and devilish desires.

My women are not super-women. They are normal, with the hopes and yearnings that are theirs. I hope to make them appealing and loveable so my readers with follow them on their hero journey, as they strive to achieve their goals.

One heroine of mine who is a little larger-than-life is Bride, the metal-smith and warrior from my ancient world historical romance, Bronze Lightning. She is tall, strong as a man, skilled in bronze-making and fighting. (She came into my mind many years ago, pre-Xena Warrior Princess, with whom she shares many skills!)

Alyson, my learned, clever heroine from A Knight's Vow, is always curious. Flavia has two deadly secrets, either of which could cost her her life. Lydia needs to escape an impossible situation and a loveless marriage in Escape to Love. Corinna is faced with a terrible choice in my forthcoming Silk and Steel.

Another heroine who is not to be crossed is my golden Egyptian princess from 'Blue Gold'. Here's an excerpt from Blue Gold, showing my amoral heroine - anti-heroine - in action:

Hunting bored Ahhotpe, but since Zoser—the Pyramid, as she’d nicknamed him—had been commanded to attend Sekenenre, she had been obliged to inveigle an invitation for herself. It would be entirely predictable of Zoser to try to advance his position and fix himself firmly in his father’s favor. That she was determined to prevent. She would discredit the Pyramid and his fat cow of a mother forever.

Ahhotpe glanced at the wax manikin before smoothing down the papyrus sheet with her gold burnisher and reaching for her palette. As a pastime she enjoyed writing. The hieratic script, precise and beautiful, flowed from her pen.

“Ahhotpe to her father’s mother, Tetisheri, in life, prosperity and health.” Formal greetings over, Ahhotpe indulged a little gossip. “The Pyramid’s mother is here, of course, waddling into Sekenenre’s tent with a lotus flower stuck behind one ear, like a great white duck in a reed bed. She looks quite a meal for a crocodile.”

Leaving it at that, Ahhotpe passed onto other matters, details concerning the state of her clothes in these humid marshes, and lavish praise of her father’s hunting prowess. She was fond of grandmother, and tried to show the old lady her gentlest side, the side she kept for dependents and servants.

Ahhotpe shot a second glance at the wax figure posted just inside the doorway of her tent. Noon was not the most propitious time for magic, but the midday heat ensured that her people were resting and that consequently she would be unobserved. When she saw the shaft of sun chink through the closed tent flaps and strike the figure, the young woman laid aside her letter.

She had fashioned it well, rolling and mashing the wax between her fingers, infecting it with her hatred, until a startling likeness formed. That same narrow forehead and wide jaw, the bull neck and broad chest, the wider hips and massive legs: the Pyramid in miniature, three fingers high. Ahhotpe smiled as she settled cross-legged before the model. It was, she thought, the closest she might ever come willingly to Zoser. Invoking the proper forms, she thrust the first small copper pin deep into the manikin’s heart.


I had a lot of fun writing Ahhotpe!

Best wishes, Lindsay

Saturday, 14 March 2009

Bronze Lightning out now.

Here's the blurb and an excerpt from my new historical romance, Bronze Lightning, set in ancient Krete, Egypt and England. This novel is available from Bookstrand and out now.

The cover and buy details can be seen here.

Ancient Krete, 1562 B.C.

Sarmatia is a trainer for the Bull Rite, the dangerous, glamorous ceremony of bull-leaping that gave a young Kretan entry into adulthood. Fearn is healer from the distant northern Isle of Stones summoned for his skills to the sick-bed of Minos, the Kretan king. They meet on the dusty flagstones of the palace courtyard and both save a life.
A year passes. They are betrothed, but Fearn has returned home and is chosen king of his small northern country. As king, master of storms, he cannot return to Krete. Fearn writes to Sarmatia releasing her from her vows - but is this what they really want?
Sarmatia leaves Krete to search for Fearn. Many months and life-and-death adventures later, she is reunited with him. She and Fearn are still deeply in love but there is an unknown enemy working against them, one who will stop at nothing, even murder.

Excerpt:

Krete, c.1562 BC. Summer.

Sarmatia spun away and was gone, somersaulting over her hands and landing with a soft clash of gold ankle bells. Their meeting of eyes had lasted no more than a breath, yet it kept returning to haunt her as the music shrilled to a climax and the piebald bull was let into the court. Even as the flute players left and the Bull Rite began, her gaze was drawn to the back of the courtyard.
Three of the seven had completed their Passage and two were gone: the fourth initiate should have been ready. As the bull came to a jolting stop at one end of the court, pawed restively and licked the painted flags, Sarmatia motioned to a creamy-skinned, gray-eyed girl. The youngster backed up a step. The bull raised its head, its horn scraping against a pillar. The girl blanched and looked wildly about, ready to run. In three strides Sarmatia made up the space between them and gripped her arm. Unseen by the families, she pressed the flat of her dagger into the initiate's side. Cruel to be kind, she threatened.
'This or the bull if you show your back, Pero!' she whispered, turning the blade for the girl to feel its edge. 'The only way out is through the horns.' Whatever Sarmatia's private disgust and unease, custom and the crowd demanded it. They would not forgive Pero if she failed.
'I can't!' Pero was shaking and near tears. A low murmur ran around the watching crowd like a wind through barley: the mob and the bull would not wait much longer. Pierced by pity, Sarmatia squeezed the girl's thin shoulder. 'Do you want to be a child all your life?' she asked gently.
'Sarmatia, I can't! Those horns, they're like knives, and the bull— Oh, Mother!' Pero's voice cracked. 'It's looking for me!' The bull had trotted out of the shadows at the back of the courtyard.
Sarmatia stepped in front of Pero, shielding the girl. 'Look, it's nothing.' She ran forward, clapping her hands.
The bull halted and its head slewed round towards them, a brown forelock covering one eye. 'To me!' she shouted.
The beast dropped its great horns. She heard the people applaud. With an explosion of dust the bull charged. She felt its hot, closed mind surrounding her. For an instant skill deserted her. She remembered she was too old for the Bull Rite. A blaze of gold spilled from the bull's horns, instinct returned and with it sureness. She caught the horns and let herself rise. Time and the horizon fell back, she could see the blue vault of heaven, the red-mouthed 'O' of the crowd, a flash of red-gold hair as Fearn turned his head, following her descent. Her feet touched the bony rump of the bull, she tucked in her arms and somersaulted off, running forward as she landed.
Behind her the beast gave a sulky grunt, swept this way and that with its horns and lashed its tail. Pero worked her way into its sight, swaying her hips to keep quick and supple. The piebald ambled off in the opposite direction then suddenly spun about and bore down on the girl in another burst of speed. Sarmatia moved to cover Pero's tumble and signalled to the remaining initiates to do the same. She heard the girl seize the bull's horns, with a great smack on each palm, and saw her tossed, arching like a dolphin in mid-air and rising clear of the deadly gilded horns. The time of peril would be when the girl landed. If Pero caught an ankle or winded herself, Sarmatia knew she would have to be in quickly to distract the beast.
There was a shower of dark hair and Pero touched earth to a roar from her family. Sarmatia grabbed her arm and pulled her clear, but was not fast enough: already the bull had skidded round. Too late, Sarmatia realized what the beast had seen. A child had kicked a hole in the fencing and was running out into the turbid afternoon light. No time to draw the bull off— all she could hope for was to reach the boy first.
Sprinting, her insides turning to water, Sarmatia rushed for the child. As her hands closed round his tiny—so tiny!—body and her cheek grazed the stones she thought, with terrible clarity: I promised they would be safe. I've failed.
For a second, a dark breathing shadow hung over her. Then came pain, the slow tearing punch of the horn.
* * * *
She came awake suddenly, crying out. Firm hands kept her flat against the stones.
'Peace, Kretan,' said the man crouched beside her, pressing a cloth onto the spurting wound in her side. 'There's nothing to fear.' In the sun his hair framed his broad-featured face like a nimbus, yet there was darkness behind him. The bull was still free in the courtyard.
Sarmatia wet her lips with her tongue. 'The child?'
Fearn jerked his head to one side. 'Ramose has taken his son. He's safe.' The initiates were also gone, the crowd hanging back, uncertain what to do.
They were alone in the court, except for the bull. Fearn pressed on her side again then withdrew the cloth. A dark spiral of blood pooled under Sarmatia's ribs; blood no longer pumped from the wound. She scarcely felt it as he bound the gash with a bandage made from his tunic. 'You must leave, Sir, the bull—'
She broke off, eyes widening, and Fearn whipped round. Ready to gore, the bull was lowering its huge head, its face so close that its breath stirred the bristles of Fearn's beard. Fearn threw up an arm to fend off the horns and drove a fist into the face of the beast. 'Get back!' He hit the creature a second time. 'Learn your lesson!'
The bull snorted and the healer shifted, covering Sarmatia completely with his body. He stamped the stones and shouted at the beast. ‘Go on! Go on!’
As Fearn's boot hammered the flags, there came the rumble of a distant storm, like the muffled roar of a lion. The beast started back and with a bellow turned tail and ran.


Best wishes, Lindsay

[Image of bull-leaping fresco from Wikimedia Commons.]