The Romance Reviews

Saturday 14 March 2009

Bronze Lightning out now.

Here's the blurb and an excerpt from my new historical romance, Bronze Lightning, set in ancient Krete, Egypt and England. This novel is available from Bookstrand and out now.

The cover and buy details can be seen here.

Ancient Krete, 1562 B.C.

Sarmatia is a trainer for the Bull Rite, the dangerous, glamorous ceremony of bull-leaping that gave a young Kretan entry into adulthood. Fearn is healer from the distant northern Isle of Stones summoned for his skills to the sick-bed of Minos, the Kretan king. They meet on the dusty flagstones of the palace courtyard and both save a life.
A year passes. They are betrothed, but Fearn has returned home and is chosen king of his small northern country. As king, master of storms, he cannot return to Krete. Fearn writes to Sarmatia releasing her from her vows - but is this what they really want?
Sarmatia leaves Krete to search for Fearn. Many months and life-and-death adventures later, she is reunited with him. She and Fearn are still deeply in love but there is an unknown enemy working against them, one who will stop at nothing, even murder.

Excerpt:

Krete, c.1562 BC. Summer.

Sarmatia spun away and was gone, somersaulting over her hands and landing with a soft clash of gold ankle bells. Their meeting of eyes had lasted no more than a breath, yet it kept returning to haunt her as the music shrilled to a climax and the piebald bull was let into the court. Even as the flute players left and the Bull Rite began, her gaze was drawn to the back of the courtyard.
Three of the seven had completed their Passage and two were gone: the fourth initiate should have been ready. As the bull came to a jolting stop at one end of the court, pawed restively and licked the painted flags, Sarmatia motioned to a creamy-skinned, gray-eyed girl. The youngster backed up a step. The bull raised its head, its horn scraping against a pillar. The girl blanched and looked wildly about, ready to run. In three strides Sarmatia made up the space between them and gripped her arm. Unseen by the families, she pressed the flat of her dagger into the initiate's side. Cruel to be kind, she threatened.
'This or the bull if you show your back, Pero!' she whispered, turning the blade for the girl to feel its edge. 'The only way out is through the horns.' Whatever Sarmatia's private disgust and unease, custom and the crowd demanded it. They would not forgive Pero if she failed.
'I can't!' Pero was shaking and near tears. A low murmur ran around the watching crowd like a wind through barley: the mob and the bull would not wait much longer. Pierced by pity, Sarmatia squeezed the girl's thin shoulder. 'Do you want to be a child all your life?' she asked gently.
'Sarmatia, I can't! Those horns, they're like knives, and the bull— Oh, Mother!' Pero's voice cracked. 'It's looking for me!' The bull had trotted out of the shadows at the back of the courtyard.
Sarmatia stepped in front of Pero, shielding the girl. 'Look, it's nothing.' She ran forward, clapping her hands.
The bull halted and its head slewed round towards them, a brown forelock covering one eye. 'To me!' she shouted.
The beast dropped its great horns. She heard the people applaud. With an explosion of dust the bull charged. She felt its hot, closed mind surrounding her. For an instant skill deserted her. She remembered she was too old for the Bull Rite. A blaze of gold spilled from the bull's horns, instinct returned and with it sureness. She caught the horns and let herself rise. Time and the horizon fell back, she could see the blue vault of heaven, the red-mouthed 'O' of the crowd, a flash of red-gold hair as Fearn turned his head, following her descent. Her feet touched the bony rump of the bull, she tucked in her arms and somersaulted off, running forward as she landed.
Behind her the beast gave a sulky grunt, swept this way and that with its horns and lashed its tail. Pero worked her way into its sight, swaying her hips to keep quick and supple. The piebald ambled off in the opposite direction then suddenly spun about and bore down on the girl in another burst of speed. Sarmatia moved to cover Pero's tumble and signalled to the remaining initiates to do the same. She heard the girl seize the bull's horns, with a great smack on each palm, and saw her tossed, arching like a dolphin in mid-air and rising clear of the deadly gilded horns. The time of peril would be when the girl landed. If Pero caught an ankle or winded herself, Sarmatia knew she would have to be in quickly to distract the beast.
There was a shower of dark hair and Pero touched earth to a roar from her family. Sarmatia grabbed her arm and pulled her clear, but was not fast enough: already the bull had skidded round. Too late, Sarmatia realized what the beast had seen. A child had kicked a hole in the fencing and was running out into the turbid afternoon light. No time to draw the bull off— all she could hope for was to reach the boy first.
Sprinting, her insides turning to water, Sarmatia rushed for the child. As her hands closed round his tiny—so tiny!—body and her cheek grazed the stones she thought, with terrible clarity: I promised they would be safe. I've failed.
For a second, a dark breathing shadow hung over her. Then came pain, the slow tearing punch of the horn.
* * * *
She came awake suddenly, crying out. Firm hands kept her flat against the stones.
'Peace, Kretan,' said the man crouched beside her, pressing a cloth onto the spurting wound in her side. 'There's nothing to fear.' In the sun his hair framed his broad-featured face like a nimbus, yet there was darkness behind him. The bull was still free in the courtyard.
Sarmatia wet her lips with her tongue. 'The child?'
Fearn jerked his head to one side. 'Ramose has taken his son. He's safe.' The initiates were also gone, the crowd hanging back, uncertain what to do.
They were alone in the court, except for the bull. Fearn pressed on her side again then withdrew the cloth. A dark spiral of blood pooled under Sarmatia's ribs; blood no longer pumped from the wound. She scarcely felt it as he bound the gash with a bandage made from his tunic. 'You must leave, Sir, the bull—'
She broke off, eyes widening, and Fearn whipped round. Ready to gore, the bull was lowering its huge head, its face so close that its breath stirred the bristles of Fearn's beard. Fearn threw up an arm to fend off the horns and drove a fist into the face of the beast. 'Get back!' He hit the creature a second time. 'Learn your lesson!'
The bull snorted and the healer shifted, covering Sarmatia completely with his body. He stamped the stones and shouted at the beast. ‘Go on! Go on!’
As Fearn's boot hammered the flags, there came the rumble of a distant storm, like the muffled roar of a lion. The beast started back and with a bellow turned tail and ran.


Best wishes, Lindsay

[Image of bull-leaping fresco from Wikimedia Commons.]

9 comments:

Linda Swift said...

Lindsay, this is a powerful story. The emotions just reach out and grab you, maybe gore you is the word here? And what a lot of research you must have done. I wish you much success with Bronze Lightning! It's a winner.
Linda

Unknown said...

Wow! Just wow...pretty intense. Well done!

Lindsay Townsend said...

Thank you, Linda and Adelle! This story is very special to me because it's the very first novel I wrote. I'm thrilled to see it out in the big wide world!

LK Hunsaker said...

Wonderful excerpt, Lindsay! It kept me enthralled. Bull leaping? What scary customs there were/are out there.

Kaye Manro said...

Wow Lindsay-- this is a fantastic story! I didn't know about this one. It sounds so wonderful.

When you promo Captive on my blog on March 30, you can do a little blurb for this too if you'd like.

Linda Banche said...

I love your descriptive writing. It's as if I were there. How can people not like descriptions?

Lindsay Townsend said...

Loraine - there were some very unusual customs in the ancient world. No one is sure why ancient Kretans did this - I suggested one reason in Bronze Lightning.

Kaye - thank you! That's lovely!

Linda B. Thanks. I find for the ancient world and all historicals, description is needed to show the world and the characters in it to the reader.

Savanna Kougar said...

Lindsay, that is a good question... why bull leaping?
Of course, reliance on your physical abilities in this day and age was often crucial to survival. Although, I'll bet it evolved from prior generations when the gods and goddesses were around in great numbers... just a thought. A variant on bull leaping could have been one of their favorite sports.
As you can see, my imagination likes to get carried awasy...

Lindsay Townsend said...

It could have been, Savanna. Like Roman gladiatorial shows, which seem to evolved from a funeral rite (slaves fight to honour the dead) into huge games.