On the Road and You're Invited to Tour the Virtual World with UsCelebrate the release of Cowboy Boots and Unsettled Debts

A New Release and Back to the Drawing Board—Where to Begin

A woman’s life is hectic. Between family and career, it’s often difficult to juggle day-to-day activities much less squeeze in something extra. As a writer, I often find myself in a crunch for time. The muse pulls one way and readers guide in another direction altogether. Lately, I’ve discovered my muse shouldn’t have a dog in the race. When readers ask for a certain book, the excitement and energy they have for a particular series is a great source of inspiration when I finally sit down to write a new book.

Cowboy Boots and Unsettled Debts is a prime example. Readers supported this series from the very beginning and because of their requests for more from the Underground Unit, I couldn’t wait to deliver another Cowboy Boots novel.

The series began with Cowboy Boots and Untamed Hearts which kicked off the Cowboy Boots saga in April of 2009. The book captured the #1 spot at Siren-Bookstrand and went on to become the #1 bestselling erotica and western title at Amazon. A bestselling title at All Romance Ebooks and Mobipocket, Cowboy Boots and Untamed Hearts was soon followed by Cowboy Boots and Unfinished Business which was also received well by readers who supported the series.

I’m thrilled and excited about the new Cowboy Boots release, but must admit Cowboy Boots and Unfinished Business remains my favorite due to the unusual bond formed between sisters as one woman courageously faces her death while asking another woman to take care of the men she’ll soon leave behind.

Readers write to ask questions about continuing the series and I can promise there’s more in store. While writing Cowboy Boots and Unsettled Debts, book three, the idea for the fourth installment materialized as well. Cowboy Boots and Undesirable Characters will soon be submitted for consideration.

In the meantime, more books are in the pipeline for the Cowboy Sex series as well. Sex Party was my first western ménage romance. If you enjoy family sagas, come on over to the ranch and meet the Cartwell family. While you’re there, stop by and say hello to the McKay brothers, too. You might want to call ahead. It’s hard to say where you’ll find these fellows if you stop by unannounced! One thing is certain— you’ll spot a strong-willed, feisty woman keeping an eye on her men.

As we take a tour around the internet, I’d like to invite you to check out the entire collection of Natalie Acres books, but particularly Cowboy Sex and Cowboy Boots. The Cowboy Sex novels tend to write themselves. The stories unfold quicker than they can be put down on paper. The Cowboy Boots novels were a little more difficult to write. Driven by the hot romance and fast action, the characters found in Cowboy Boots tend to ‘get carried away’ with their toys and props. These heroines understand their men are hardcore males with certain expectations in the bedroom.

Speaking of expectations, I hope the week ahead produces some emails because I’m at a crossroads again. With several series to complete and numerous manuscripts stored on my desktop, there’s the ever-present daily question—Where to begin? In fact, if you’re stopping by to follow the tour today, please leave a comment and your advice! You could win a free download of a backlist title!

You know as readers we ask the “Where to start” question a lot, too. It’s not always simple to find the order in which series books were written. Today, as we celebrate the release day of Cowboy Boots and Unsettled Debts, I invite you to check out the entire series.

Start with Cowboy Boots and Untamed Hearts and meet the Donovan brothers from Southwest Virginia. Then, say hello to the Remington men and the women they love in Cowboy Boots and Unfinished Business. As they cope with tremendous loss, they find strength and hope in the arms of a woman they never expected to love. Finally, I invite you to pick up your copy of Cowboy Boots and Unsettled Debts, on sale today at Siren-Bookstrand.

Below, you’ll find an excerpt and blurb from Cowboy Boots and Unsettled Debts followed by the blog tour information. Please visit the blogs listed and leave a comment. At the end of the tour, we’ll have prizes to distribute so the more you comment, the more chances you have to win some nifty prizes!

Natalie Acres

natalieacres@yahoo.com

Book Blurb:

Seduction turns deadly when Abby Rose, an agent with the Underground Unit, decides to put a provocative spin on revenge. Her plan to sleep with a cartel leader backfires when fellow operatives refuse Abby the opportunity to face her enemy alone.

Abby’s fellow agents begin the fight of their lives. After discovering Abby will use her body to lure the man who killed her father and their command leader, seven highly trained operatives cope with high tensions.

This team isn’t fighting for another cause or plotting the best way to take out their mark. The stakes are much higher. These men will take up arms and meet their greatest challenge as they work together to protect the woman they admire and love.

Copyright © 2011

"This series moves faster than the hit TV Show 24"
Don't miss a moment of the excitement!

Tour Stops for NOVEMBER 7th

Author Keta Diablo at Keta's Keep

Author Paige Tyler and the Nice N' Naughty Authors

Author Melissa Bradley's Imaginarium

Author Sofia Hunt

Author Katie Alexander

Author Tammy Maggy

Author Tammy Maggy and Behind Closed Doors Blog

Author Karenna Colcroft

Author Lindsay Townsend's Lindsay's Romantics

Affaire de Coeur Magazine Blog

Author Raine Delight Blog

Author Tabitha Shay Romance Blog

Black Raven's Erotic Café

Dark Divas Reviews

Author Shannon Leigh

Author Hanna Rhys Barnes

Author Francesca Hawley

Naughty Edition Book Reviews

Author Ashlynn Monroe

Blog Tour Hosts Sunday, November 6th



Author Lia Slater

Author Jami Davenport

Honey Bunny Promos/Judie

The Romance Studio Blue Blog

Author Kayelle Allen

Author Amber Skyze

Author Cindy Spencer Pape

Author Melissa Schroeder

Author Desmond Haas

Dawn's Reading Nook

Author Tara Lain

Author Cerise Deland

Black Raven's Review

The Reader's Roundtable After Dark

Romance is Forever with Rachel Cron

*Authors and Blog Owners—if you wanted to be included in this tour and do not see your name and link listed above, please send an email to natalieacres@yahoo.com right away. Thank you! *


WARNING!!

This tour is in progress to celebrate the release of Cowboy Boots and Unsettled Debts, book three in the COWBOY BOOTS series. Cowboy Boots and Untamed Hearts kicked off the series and was one of the first ménage books to include more than three heroes. This series is labeled SCORCHING HOT and for adults only. If you are easily offended, I highly recommend the Country Roads series for the more sensitive reader. Thank you for reading my books!

Natalie Acres

TRAVELING IN OUR WRITING

When we write a short story or a novel, that work is a “journey” from beginning to end in many ways.

Hopefully, our main characters will learn something about themselves and grow emotionally and in their personal values of not only each other, but the world around them. They must become more aware of their place in the world as individuals to be able to give of themselves to another person, the hero to the heroine, and visa versa.

The main conflict of the story brings this about in a myriad of ways, through smaller, more personal conflicts and through the main thrust of the “big picture” dilemma. I always like to use Gone With the Wind by Margaret Mitchell as a prime example of this, because the States’ War was the catalyst for everything that followed, but it also remained the backdrop throughout the book. This generated all of the personal losses and gains that Scarlett and Rhett made individually, so if the War hadn’t been the backdrop, the main original conflict, their personal stories would have taken very different routes and their love story quite possibly would have never happened.

No matter what kind of story we are trying to weave, we have to have movement throughout—not just of the characters’ growth, but of the setting and circumstances that surround them.

Have you ever thought about how important it is to have travel in your writing? No, it doesn’t have to be lengthy travel, although that’s a great possibility, too. Even a short trip allows things to happen physically to the characters, as well as providing some avenue for emotional growth and development among them.

One of my favorite examples of the importance of travel is the short story by Ernest Haycox, “Last Stage to Lordsburg.” You might know it better as the John Ford movie adaptation, “Stagecoach,” starring a very handsome young newbie…John Wayne. A varied group of people are traveling on a stagecoach that is attacked by Indians, including John Wayne, (a seriously good-looking young outlaw by the name of Johnny Ringo) who is being transported to prison. The dire circumstances these passengers find themselves in make a huge difference in the way they treat each other—including their hesitant acceptance of a fallen woman and the outlaw.

If your characters are going somewhere, things are bound to happen—even if they’re just going to the store, as in the short story “The Mist,” by Stephen King. Briefly, a man goes to the grocery store and is trapped inside with many other people by a malevolent fog that surrounds the store and tries to come inside. Eventually, he makes the decision to leave rather than wait for it to get inside and kill them all. He thinks he can make it to the pickup just outside in the parking lot. A woman that he really doesn’t know says she will go with him. By making this conscious decision, not only are they leaving behind their own families (he has a wife and son) that they know they’ll never see again, but if they make it to the vehicle and survive, they will be starting a new chapter of their lives together. It’s a great concept in my opinion—virtual strangers, being forced to make this kind of life-or-death decision in the blink of an eye, leaving everything they know behind, when all they had wanted to do was pick up a few groceries.

In all of my stories, there is some kind of travel involved. In Fire Eyes, although Jessica doesn’t travel during the story, she has had to travel to get to the place where it all takes place. And Kaed is brought to her, then travels away from her when he is well enough. Will he come back? That’s a huge conflict for them. He might be killed, where he’s going, but it’s his duty. He can’t turn away from that. After what has happened to him in his past, he has a lot of mixed feelings about settling down and trying again with a family, and with love.

One of my professors once stated, “There are only two things that happen in a story, basically. 1. A stranger comes to town. Or, 2. A character leaves town.” Pretty simplistic, and I think what she was trying to tell us was that travel is a great way to get the conflict and plot of a story moving in the right direction. I always think of “Shane” when I think of “a stranger coming to town” because that is just such a super example of how the entire story is resolved by a conflicted character, that no one ever really gets to know. Yet, although he may have a checkered past, he steps in and makes things right for the Staretts, and the rest of the community.

In my upcoming release, Time Plains Drifter, a totally different kind of travel is involved—time travel. The hero is thrown forward sixteen years from the date he died (yes, he’s a very reluctant angel) and the heroine is flung backward one hundred fifteen years by a comet that has rearranged the bands of time on earth. They come together in 1895 in the middle of Indian Territory. But the time travel is just a means to bring them together for the real conflict, and that is the case with most of the stories we write. We aren’t writing to look at the scenery/history: we want to see the conflict, and the travel is just a way to get that to happen.

How do you use travel in your writing? Do you have any tips that might make it easier to describe the actual travel sequences? I find that is the hardest thing sometimes, for me.

Here’s a short excerpt from Time Plains Drifter. Rafe and Jenni have just met, and there’s a definite attraction! Hope you enjoy!

FROM TIME PLAINS DRIFTER—RELEASE DATE DEC. 1, 2009

For the first time, Rafe began to wonder what—and who—she might have left back there in her own time. Two thousand-five. Was there a mother and father? What about siblings? Was she as close to someone as he and Cris had been? Was she…married? Did she leave children of her own?

She was a school teacher, and he took comfort in that thought. In his own time, school teachers were usually women who were not yet married.

Suddenly, the question burned in his mind. Was she married? Did she have someone waiting for her? Hell, what difference does it make? He sighed. You’re dead, Rafe. Remember? Dead. All a mistake. Beck’s sure sorry, but—

If he was dead, why did his leg ache? He felt the pinch of the cramped nerve endings in his left calf just as he had always suffered from when he held this position too long. Was it real? Or did he just anticipate that pain, where it had always been when he was alive? He hadn’t imagined the raging hard-on he’d gotten earlier, holding Jenni Dalton in his arms. That had been real enough.

He stood up slowly with a grimace, and his fingers went to the small of his back automatically for an instant before he bent to massage his leg, then walk a few steps to ease the strain of the muscles. The twinges faded, but Rafe knew he hadn’t imagined either of them.

If I’m dead, how can I hurt? Was this part of what Beck had tried to explain to him earlier, about giving in to the “human” side of himself? Those “bodily urges?” Beck had seemed horrified that Rafe even entertained the thought of wanting to live again—in a normal, human state.

But he did, God help him. He did. And five minutes with Miss Jenni Dalton was all it had taken to reaffirm that conviction to the fullest measure.
There was something about her; something strong, yet, so vulnerable. Her eyes captivated him, her lips seductively beckoned to be kissed—but what if she knew she was kissing a ghost? A dead man?

His glance strayed to Jenni once more as she stood up, and he controlled the urge to go after young Kody Everett and choke the life from his body for his deceit.
Jenni came toward Rafe stiffly, her back held ramrod straight. Without conscious thought, he opened his arms to her, and she kept right on walking, right into his embrace, until he closed the gates of safety across her back and held her to him, protected inside his fortress.

She didn’t cry, and Rafe knew it was because she was too exhausted. They stood that way for a long moment, breathing the night air. He wanted to give her what she needed—shelter, safety, and…togetherness. She wasn’t alone any more, and he wanted her to know it.

He felt her take a shuddering breath of bone-deep weariness. Who was waiting for her in her own time, to comfort her like this when she returned?

“Jen?”

“Hmm?” Her voice was a contented purr.

He smiled. “Where you come from, are you, uh—married, or—”

“Huh-uh. No husband. No kids. Nobody at all.”

“No—betrothed?” He searched for a word they might still use a hundred and ten years from now, and by the way she smiled against his shirt, he knew he had sounded old-fashioned to her. “Okay, what’s your word for it?”

“Boyfriend. Fiance. Lover—”

“Lover!”

She drew back at his indignation, looking him in the face. “It’s—It’s just a word,” she stammered. “It really doesn’t mean—”

“Don’t say that one,” Rafe growled. He shook his head to clear it. “What I mean is—you wouldn’t want to say that around anyone. They’d take you for a—loose woman.”

She looked up earnestly into his smoldering gaze, liquefying his bones with her piercing green eyes, her lips full and sensual, the tangle of copper hair blowing in the breeze. “Would you think I was ‘loose’ if I asked you to—to just lie down beside me? It’s not that I’m afraid,” she hastened to add. “I just feel—kind of shaken up.”