Generational Heroines

Grandma was among the first women in America to earn a Master’s degree. Teaching for many years before then, beginning in a one room school house, marrying and moving to a three story school house teaching fifth grade, then again to the next town where she made an incredible mark as first grade teacher, she also raised four children, studying at night after their needs were met. She graduated with her Master’s in Education the same year her oldest child graduated with his Bachelor’s degree.

A strong woman, yes. Not many dared cross her. Yet she had the gentle fun artsy silly side that made her such a wonderful teacher. There is now a memorial tree and marker planted in her honor at her final school, also my grade school.

She has a son and three daughters. I grew surrounded by all of them and their spouses and children. It was a delightful time of noise, wide discussions, gift exchanges, birthday cakes, and little ones running around everywhere. Family was penultimate in my childhood. It was also highly inspirational.

I’m a people watcher. I always have been. I think it could be because there was just so MUCH variety to watch in one house where we all gathered each birthday and holiday. Think of an artist’s colony except with all ages, and you’ll have a feel for it.

The women in my family were always particularly fascinating and each was a heroine in her own right. The styles were different but whatever the style, things seemed to revolve around them individually, more so than with the men. No offense meant to the men but I come from a very long history of strong independent women. Kudos to the heroes who could deal with them long-term. ;-) We have gutsy women who will say whatever they think and those who will hardly admit any feelings; in charge types and followers; women who love to be out and about and on the go and those more like hermits; some have reached what they went after, others are still trying for it or content with what they did accomplish; some went to school to study and some to socialize. Whichever type(s) they are, they have one common characteristic: they  are strong women. Their strength may not be obvious to the casual observer. Sometimes you have to look deep and try to see it the way they do. And they’re family, part of a chain, intertwined.


My heroines always come with family connections, and the way their families affect them comes out in their individual choices and outlooks. They are always strong, but their strength is often quiet and supportive more than feisty and independent. They tend to have highly independent female friends or relatives they admire, and they grow throughout the book, learning to assert their own independence with age and experience.

My heroines stem from reality. We all know that older women are much more likely to appear stronger and more together and less worried about appearances and the shallow things of life. We do grow. So far, all of my heroines begin as young women at that age of emergence, so to speak. Their stories begin at the point they’re truly beginning to come into their own and the reader always sees how they do, what encourages it.

I go a step farther with the concept of growth and family and intertwining in my Rehearsal series. Beginning when Susie is barely twenty, it extends over four books to after she has fully grown and found herself and become comfortable with her place in the chain. It covers more than ten years. Her family is involved throughout, as is her hero’s family and her best friend’s family. Even the minor characters have familial involvement enough to see where they came from and where they’re heading. The sequel to the series is firmly in my head and checks in on the next generation, connecting the effects of Susie’s generation on her daughter’s. Susie is not a highly independent, outgoing type.  Her daughter, however, is fully both. Their stories will mesh, and continue. While Susie’s mother’s story is only touched on in the series, it will likely become its own.

Whether or not the heroine is the strongest and most vivacious character, she is always the center of my stories, even if she has no POV scenes. We don’t need to direct the stage to be pivotal or the main draw, after all. Sometimes it’s simply what we are that steals the show, and what we are is always affected not only by our parents but by the generations of our families.

Do you have a truly inspirational woman in your family who could be a heroine? I’d love to hear about her!

LK Hunsaker
  

The Women-in-Charge in Chelle's novels

A woman can do anything - that was how my parents raised me. They also believed that a woman could be feminine and still not be weak. Society, though, through the years hasn't always agreed.

I try to write my heroines to reflect both my parents' progressive attitude as well as reality in our world.

None of my heroines actually needed a man in their lives - oh of course the passion is a terrific incentive, but each of my gals could make it on their own.
In Bartlett's Rule Paige Andrews was raised in a misogynistic and violent household. Her upbringing caused her to make several wrong decisions, the first being needing a man named Hal to take her away from her parents' abusive home. She traveled a road of self-destruction and hit bottom, that was when she decided to take control of her life and began taking care of herself. When she met Lon Bartlett she tried not to get taken in by his seeming chauvinism, but he proved to be much more understanding than she expected.

Caitlyn Smythe in Forgotten was orphaned at an early age and even though she was raised in a relative's loving home, she thought that the only one she really could depend on was herself. When Brandon Price tries to protect her with secretiveness, she balks. Even totally angry with him when they are both held against their will, it's Caitlyn's calm head that eventually rescues them. Through the ensuing perils they face Brandon comes to realize how much he can depend on her.

Alli Davis is a lawyer in Within the Law and she takes her job seriously. Tom Hughes was her white knight on a dark city street and Alli is drawn to him, but not enough to compromise her responsibility even when she realizes that the man she is defending stole Tom's future from him. When the playing field changes and her client is murdered Alli steps in to defend Tom.

Young Davida Prescott is working her way through college when she meets playboy Adam Sherman in Courage of the Heart. Adam has a past that makes him question his own abilities and it is Davie's inner strength that restores his confidence. Her belief in him gives him the strength to get him past a threat and huge challenge from his former life.

In Final Sin Julie Jennings is a caring and competent paramedic. She meets Deputy Sheriff Jake Carlson at a horrific crime scene and it doesn't take long for the two of them to close the door on the ugliness of their careers and begin a torrid love affair. Julie comes close to the edge when she is stalked by a maniac who invades her privacy, but she refuses to give up on her job and putting herself out there to help others. More than once she finds an inner strength to keep herself going as well as encouraging Jake when his worries and self-doubts as a dad seem insurmountable.

Of all of my heroines so far, I think that Deanna Blair is the strongest in Hostage Heart. After losing a beloved family member to the floods of Katrina and then seeing her parents' home and livelihood destroyed in more hurricanes just a few years later, she takes it upon herself to find a way to help them rebuild. With a fresh high school diploma in hand she leaves her comfort zone where she has lived all of her life to come to New York City and find a job. Deanna meets Ryan Hunter during a bank hold-up and when he gets himself into hot water defending her honor she tries to reciprocate and winds up becoming a victim.

Download a FREE First Chapter Chapbook of Bartlett’s Rule, Forgotten, Within the Law, Courage of the Heart, Final Sin & Hostage Heart

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